The project RIII is a hermeneutical crossing of territories that establish the discursive unit Richard III - from Shakespeare's history to his entire works and a plethora of theatrical and cinematic performances, to English Renaissance Studies, contemporary and modern paintings, that like videotape are situated between the text and interpretations in different media, all of them contributing their specific social and historical context. The radical immersion into the relativity of discursive practices enables us to construe the singularities that are not formalistically disseminated but they establish hermeneutic and ethical relationship towards socio-historically particular discursive fields.

Narvika Bovcon, Ales Vaupotic

Ljubljana, 2002